Thursday, July 26, 2012

Jimmy Smith Review / Black Sabbath Preview (Album 27)

This is probably actually my least favorite part of the blog. Saying what I did or did not like about something. It's very hard to articulate what you are trying to say sometimes. Especially if you are trying to say it in a unique way. Anyways. Jimmy Smith. This is, without a doubt, the smoothest album I have ever listened too. When people say jazz, this is the kind of music that I think of. Downbeat, there are a couple of people keeping the beat and rhythm, while they take turns improvising. Jazz. It's very calming and fun and upbeat at the same time. If it were a movie soundtrack, it would be the part in the movie where we are down in a club in the 40s, just watching the club, and we see in the background Humphrey Bogart walk down the stairs as he enters and orders a drink as he looks around checkin' out the ladies. Then chaos ensues during a fist fight or a shootout and we need a different sound for that. The book sums this album up perfectly: 'Relentlessly groovy.'

Favorite Songs:
     Back At The Chicken Shack
     Honestly I like them all, but Back At The Chicken Shack stands out to me the most.

Album: Black Sabbath
Artist: Black Sabbath
Black Sabbath Album

Release Year:1970

"On the list for its enormous influence rather than its scintillating musical qualities, Black Sabbath's debut album is weighty in reputation as it is in sonic depth. With its opening, eponymous song routinely hailed as the unholy-trinity anthem ("Black Sabbath" on Black Sabbath by Black Sabbath) that kickstarted heavy metal, the dark, dark sleeve art and the sludgy production seeping all over the basic, bludgeoning songs, the record still sounds supremely evil today." - Joel McIver

01 - Black Sabbath
02 - The Wizard
03 - Behind The Wall Of Sleep
04 - N.I.B.
05 - Evil Woman
06 - Sleeping Village
07 - Warning
08 - Wicked World
*This is the European release set of songs. 

Streaming: Radio3.net
iTunes: Black Sabbath
Spotify: Black Sabbath

My dad has this album in vinyl. So pops if you read this, give it a spin for me.

~mfm

Sunday, July 22, 2012

Fats Review / Jimmy Smith Preview (Album 26)

Fats Domino was not was I was assuming. It was pretty good. It was this combination of Frank Sinatra with more soul and less sad. But that's cool. I can dig it. All of the songs were really short. Which doesn't bother me, in fact it shouldn't even be a problem. I think that we expect songs to be between 3:30 and 4:00. If it's any longer our 'short attention spans' fail us and we lose the song or change the radio station. If it's too long we don't want to listen to because it doesn't say what it has to say soon enough. Or something like that. Anyways, I liked Fats. I thought he would sound less mature than he did. He sounded older than the picture that they show of him in the book:

Fats Domino At Piano

Just a cheery looking baby-fat-having gentleman. But he sounded way more exciting than that. it was good.

Favorite Songs:
     Honey Chile
     La-La
     The Fat Man's Hop

Album: Back At The Chicken Shack
Artist: Jimmy Smith
Jimmy Smith Back At The Chicken Shack

Release Year:: 1960

"Back At The Chicken Shack is arguably Smith's greatest album, relentlessly grooving, harmonically sophisticated, and earthy as the Delta mud... Smith transformed the organ's lamentable image with his soulful synthesis of bebop, blues, and gospel, creating a powerfully grooving new sound. He spawned a new style of music - soul jazz - and a host of disciples who took up the Hammond B3 [compact organ] and formed combos." - Andrew Gilbert

01 - Back At The Chicken Shack
02 - When I Grow Too Old To Dream
03 - Minor Chant
04 - Messy Bessie
05 - On The Sunny Side Of The Street*

*Apparently, this song was not part of the original album, but released with the album as part of the CD later.

Streaming: Radio3.net
iTunes: Jimmy Smith

Only 5 songs long, I expect to have the next one up rather soon.

~mfm

Saturday, July 14, 2012

Bebel Gilberto Review / Fats Domino Preview (Album 25)

(Bebel preview here) What an interesting album. It was more jazz-samba then I was expecting, but it was still good. It sounds like the kind of music that you would hear in a movie during a rainy love-making scene. In Mexico, obviously. She has a very pretty calm voice, and it goes very well with the slight drums and guitar and such. I like it, but its something that I would only listen to while I was trying to nap or seduce someone... I think that it may be early in a scene in the movie Mr. & Mrs. Smith (musically similar to this, but not the same: Mr. & Mrs. Smith Mondo Bongo Dance ).

Favorite Songs:
     Samba Da Bancao
     So Nice (Summer Samba)
     Close Your Eyes

Album: This Is Fats
Artist: Fats Domino
Fats Domino - This Is Fats

Release Year: 1956

"While selling some 65 millino records in the decade [50s], Domino was arguably the man most responsible for bridging the gam between R&B and rock, although Little Richard might despute that claim. What is beyond debate is the influence of the singer's 1950s work, which has run and spread through popular music and influenced everyone from Pat Boone to The Beatles. This Is Fats, the singer's third full-length album on Impereal, was released at the height of Domino's career and remains the most powerful portrait of his artistry thanks to such boogie-woogie beasts as "Blue Monday" and "Honey Chile" and such mournful masterpieces as "So Long" and "Poor Poor Me." - Jim Harrington

01 - Blueberry Hill
02 - Honey Chile
03 - What's The Reason (I'm Not Pleasing You)
04 - Blue Monday
05 - So Long
06 - La-La
07 - Troubles Of My Own
08 - You Done Me Wrong
09 - Reelin' And Rockin'
10 - The Fat Man's Hop
11 - Poor, Poor Me
12 - Trust In Me

Streaming: Radio3.net
iTunes: Fats Domino
I couldn't find him on Spotify, but I found this instead: Playlist

Looking at some more 50s grove. I'm excited to hear Fats. He is a name that I have always heard but never listened too.

~mfm

Sunday, July 8, 2012

The La's Review / Bebel Gilberto Preview (Album 24)

(La's preview here) The La's (still no word on if it's the 'las' or the 'el-ays') was straight up 90s. I recognized the song "There She Goes" almost right away. Which is neither bad nor good. I guess if you are writing music then that's a good thing, definitely. It was so interesting reading about that band - which I did a tad of - and hearing how the main singer is a total perfectionist and how they never did anything after that. I didn't look up him specifically, but my gut tells me that he probably didn't go too far after that one album. I also watched the music video for "There She Goes" which isn't something that I do often, but the members are in their 20s, 30s at the very latest. Which strikes me as odd that they would get out of the game so fast. Or perhaps they didn't. Anyways. This is an album where that song will definitely get some playback, but that's the problem with a one hit wonder band. They had some other very good songs, and they remind me of Blind Melon, another 90s band who we may yet hear of.

Favorite Songs:
     Timeless Melody
     There She Goes
     Doledrum
     Failure

Album: Tanto Tempo
Artist: Bebel Gilberto
Bebel Gilberto - Tanto Tempo

Release Year: 2000

"But it is Babel's voice - a chewy, purring, Marlboro-burnished voice that sings English in a pleasingly goofy Brazilian accent - that makes Tanto Tempo so compelling. Tanto Tempo went on to become the biggest-selling Brazilian album outside of Brazil. And although Suba's [the producer] innovations would be elaborated and superseded and outflanked by assorted sources - by Sao Paulo's drum 'n' bass jocks, by the experimental electronica boffins on Trauma Records, and by the "favela chic" of Rio's "baile funk" oddballs - Tanto Tempo remains a landmark in electronic music." - John Lewis

01 - Samba da Bencao
02 - August Day Song
03 - Tanto Tempo
04 - Sem Contencao
05 - Mais Feliz
06 - Albuem
07 - So Nice (Summer Samba)
08 - Lonely
09 - Bananeira
10 - Samba e Amor
11 - Close Your Eyes

Streaming: Radio3.net

iTunes: Tanto Tempo

Spotify: Bebel Gilberto



Hmm...Brazilian music you say? With Drum 'n' Bass and electronic roots? I'm enticed, to say the least. 

~mfm